Showing posts with label boris vallejo. Show all posts
Showing posts with label boris vallejo. Show all posts
Sunday, May 15, 2011

Another Appendix N Score

    Every year, our local Canadian Broadcasting Corporation radio station sponsors a charity booksale, in support of childrens' literacy projects. This is the second year of my attendance. Again, I came away with a nice collection of Appendix N science fiction and fantasy paperbacks. Here is a list of those paperbacks, for which I paid a buck a book:

    • Anderson (Flandry of Terra, Flandry-Agent of the Terran Empire, Flandry-A Knight of Ghosts and Shadows, The Man-Kzin Wars, Three Hearts and Three Lions)


    • Anthony (A Spell For Chameleon)


    • Aspirin (Shadows of Sanctuary, Face of Chaos)


    • Burroughs (Tarzan of the Apes, Return of Tarzan, Beasts of Tarzan, Warlord of Mars, Gods of Mars, Thuvia Maid of Mars)


    • Carter (Flashing Swords #5)


    • deCamp (Conan the Barbarian, Conan the Adventurer, Conan the Buccaneer, Conan the Warrior, Conan the Usurper, Conan the Avenger, Conan of Aquilonia, Conan of the Isles, Conan and the Spider God)


    • Doyle (The Lost World)


    • Eco (The Name of the Rose)


    • Eddison (A Fish Dinner in Memison, Mistress of Mistresses)


    • Foster (Splinter of the Mind's Eye, The Time of the Transference)


    • Glut (Empire Strikes Back)


    • Haggard (The World's Desire, Heart of the World, People of the Mist)


    • Howard (People of the Black Circle, Hour of the Dragon, Marchers of Valhalla, Swords of Shahrazar, Skull-Face, Red Nails, Black Canaan)


    • Jackson (Fighting Fantasy)


    • Harrison (The Stainless Steel Rat)


    • Lee (The Book of the Damned, The Book of the Beast)


    • McCaffrey (Dinosaur Planet)


    • Moorcock (Legends from the end of Time)


    • Moore (Jirel of Joiry)


    • Norman (Slave Girl of Gor, Tarnsman of Gor, Time Slave)


    • Norton (Quag Keep, Lord of Thunder)


    • Nowlan (Armageddon 2419 AD)


    • Offutt (Sword of the Gael, Demon in the Mirror)


    • Perry (A Warlock's Blade)


    • Saberhagen (Empire of the East)


    • Smith, E.E. (Triplanetary)


    • Stasheff (The Warlock Wandering, The Warlock is Missing, Warlock and Son, The Majesty's Wizard)


    • Van Vogt (Quest for the Future)


    • Vance (City of the Chasch, The Dirdir, Big Planet, Galactic Effectuator, The Blue World, the Anome)


    • Zelazny (Hand of Oberon, Dilvish The Damned)


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Tuesday, May 3, 2011

Fantastic Treasures


    Fantastic Treasures is a two volume catalogue of magical and mythological items from folklore and legend, printed in 1984 by Mayfair Games, under its Role Aids line of gaming supplements. Role Aids is an uneven line of supplements, with adventures like Evil Ruins and Lich Lords (both are decent) interspersed with less stellar fare.

    The Fantastic Treasures catalogue includes several hundred magical items, each one paired to a black and white illustration. Even though Fantastic Treasures is, by definition, derivative, since it uses myth and folklore for its inspiration, it is the presentation of this catalogue that I find appealing. And i'm not just talking about the Boris Vallejo art that graces its two covers.



    Paging through the AD&D Monster Manual, you will find most D&D monster descriptions accompanied by an illustration. That is never the case for magic items in the Dungeon Masters Guide. I can recall poring over the 1979 DMG, bewildered by such unfamiliar items as censers, periapts, phylacteries, and scarabs. Without an illustration, and therefore a mental image to draw upon, I found it difficult to describe those magical items to the players.


    In contrast, each of the magical items described in Fantastic Treasures is accompanied by an illustration. Admittedly, unlike the mysterious periapts or a phylacteries, I don't need illustrations of thimbles, horseshoes, or boots, to visualize or describe those items. But there is something immediate and meaningful about seeing an artist's depiction of an item, even if you don't end up describing it as illustrated.




    While some of you will be familiar with a broad cross-section of myth and folklore, you are bound to find several items in the Fantastic Treasures catalogue that are new to you. The usual suspects are included of course, like cloaks of invisibility, magical pendants and gems, musical instruments and the like, from Greek, Norse, Chinese legends. But some interesting and obscure African, Indian and frontier American items are also included: Paul Bunyon's Axe, anyone?



    Perhaps I am drawn to this catalogue due to my own interest in the development of generic item and treasure cards. I appreciate these economical magical item descriptions, paired with perfectly serviceable illustrations. If only they came in card form!



    Fantastic Treasures is a one of those gaming supplements that does something just a little bit different. While i've seen other magical item gaming supplements that claim to provide fresh magic items, few of their entries are accompanied by illustrations, and few items are truly campaign-ready, unlike the tried-and-true vanilla items from myth and folklore.

    Collecting such a wide range of magical item tropes, and pairing each with an illustration, makes this supplement 'game-night ready'.
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Monday, May 10, 2010

Appendix N: Demon In The Mirror

    Our exploration of the 1979 Dungeon Masters Guide Appendix N begins in the middle, a fitting place for Andrew Offutt, for reasons beyond mere alphabetic order. Offutt is neither the trailblazer nor capstone of fantasy literature, falling somewhere in the comfortable, hackneyed and squishy center.

    On the surface, one has to wonder why Andrew Offutt is mentioned in Appendix N at all. The only Appendix N recognition he is afforded is in relation to the Swords Against Darkness anthology series, to which Offutt acts as series-editor and occasional contributor. In fact, Gygax’s Appendix N specifically mentions the third book in that anthology series. But within the pages of book three, Offutt’s singular contribution is in writing that anthology’s forward. In itself, authorship of a forward can hardly be worth mentioning, compared to the output of the other authors referenced in Appendix N.

    If Offutt is not immortalized in Appendix N for his lucid and witty forwards, then for what? In fact, Offutt’s contribution to fantasy literature is much broader than mere editorship of an anthology series. He presides over the Science Fiction Writers of America Association from 1976 to 1978, and is widely published by 1979, having already written some 17 fantasy novels under his own name, with dozens more erotic fantasies to his credit, all published under pseudonyms. Some of Offutt’s fantasy novels are pastiches based on Robert E. Howard’s creations -- Cormac mac Art and Conan. Others are all his own, such as the War Of The Gods On Earth series, and the War Of The Wizards trilogy. Our reviews begin with the first book in Offutt’s War of the Wizards trilogy, entitled Demon In The Mirror.

    Authorship of Demon In The Mirror is credited to both Andrew Offutt and Richard Lyon, and is published by Pocket Books in 1978, predating, by one year, the publication of the DMG. A slim volume of 190 pages (not unusual for pulp fiction), the cover art is by Boris Vallejo, and reveals a practically-nude Tiana Highrider, protagonist of our story, astride her faithful mount Windsong, in a scene from the chapter entitled Incident In Dark Forest.

    As the story opens, we find Tiana, a pirate-captain of former aristocratic stock, coming into possession of a set of sorcerous books, and a severed hand belonging to the wizard Derramal, who betrayed and killed her parents when she was just a child. She consults with another sorcerer, who reveals that, although Derramal has been dismembered and his body-parts scattered across the world, he still lives. The only way to kill him, she is told (and also rescue her long-lost brother) is to re-assemble Derramal’s body.

    Demon In The Mirror is a typical questing tale, with Tiana traveling from location to location, collecting the dismembered parts of Derramal, piecing together the mystery of the Demon In The Mirror, and battling unwholesome fiends, and minions of other sorcerers that block her way. Unsurprisingly, considering Offutt’s penchant for erotic fantasy, Tiana is captured more than a few times and is bound and staked out, naked and in full presentation, as an offering to fell beasts and lustful antagonists. As is to be expected in such tales, she always slips her bonds, through skill, wit or guile, just in time to turn the tables on her adversaries.

    In the end, she discovers the secret of the Demon In The Mirror. And so will you, long before the secret is revealed in the final chapter. Are the clues too obvious? Perhaps not in 1978, but the patterns of fantasy writing are now so obvious, 30 years later, that many readers of this tale will know, half-way through the book, who the Demon In The Mirror really is.

    I promised, of course, to review the Appendix N books, not as literature, but as resources for developing your own fantasy adventures. As a resource, Demon In The Mirror is a gold-mine. You have nun-turned-vampire-infested chapels, magic mirrors, tricks and traps aplenty, ghoul-overrun tombs, were-beasts, deadly animated gardens, foul bat-demons, magical flying armor, shadows killed only with shadow-weapons, islands overrun with illusion-creating spiders, bands of forest bandits, treasures described in luscious detail, and epic battles won by magic and strategy.

    Offutt knows well, how pulp (and erotic) fantasy is to be constructed, and he ably employs the tools of the trade in Demon In The Mirror. The writing in Demon In The Mirror is hackneyed, even for a book published in 1978. But it’s a fun read none-the-less, and will give you a wealth of new ideas for your next gaming session.Source URL: http://idontwanttobeanythingotherthanme.blogspot.com/search/label/boris%20vallejo
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