One Mom's Encouragement--Dianna Love Passes It On

by Cassondra Murray with Dianna Love

Y'all pull up a bar stool and put in your order for a glass of wine or one of Sven's fabulous cocktails. I've poured myself a glass of California Cabernet, and I want to celebrate a new--and very different--project by lair favorite--and my long-time friend, Dianna Love. She's just launched something that's *cue valley girl squeal* totally awesome, and I want her to share it with you, and the reasons behind it.

If you're a lair regular, you know by now that Dianna's first book won a Rita Award, and she's gone on to co-author two successful series with #1 NYT Bestseller, Sherrilyn Kenyon. The first was Sherrilyn's original BAD Agency series. The lastest is Dianna's brainchild--the rockin' Belador urban fantasy series.

Many of you have read my interviews with Dianna in the past, and been inspired by her drive, determination, and what seems like a bottomless well of energy, which she draws on when pursuing something she cares about. I recently learned that she gives her mom a lot of the credit for encouraging Dianna to go for her dreams and follow her heart--first into art--and later into her newest passion, fiction writing.

As we head into the weeks before Mother's Day, I asked Dianna if she'd share a little about her mom, what that encouragement meant to her, and how that's led to her sponsoring a national art contest based around her latest book.

Welcome Dianna!

Dianna: *lifts her glass of Australian Shiraz* Thanks! It's always great to be back here in the lair!

Cassondra: You’re an inspiration to a lot of people because you’ve basically had two very successful careers. Many of the Bandits and Buddies know that you were an artist before you were a writer. But that's key to your latest project, so for those new to the lair, will you tell us briefly about your “past life?”

Dianna: Sure. My life revolved around art pretty much from the first time I picked up a crayon. I was blessed with the ability to draw photo-realistic art and by the time I was in middle school, I was selling detailed pencil portraits for $5 each to earn money for art supplies. My parents had five kids and no extra money for frivolous use of school supplies like paper and pencils. I have never forgotten an uncle who worked in a paper mill and brought me a ream of paper once when he came to visit. The memory of that gift has stayed with me since grade school.

Cassondra: What a great gift for a budding artist.

Dianna: *nods* Over the next few years as I grew into my teens and on into adulthood, I went from drawing portraits on 18” paper to painting them 20 feet tall way up above the ground. When I was first living alone at seventeen, I used my art to do side jobs between three “regular” jobs I held during the week. By age twenty, I was building a business in painting signs and murals. Over the next thirty years, I expanded to creating massive three-dimensional objects for unusual marketing projects and eventually created unusual high-tech advertising pieces for events like the Olympics and companies such as Coca-Cola.

(Cassondra interjects: That Coca Cola sign on the left is in downtown Atlanta--it's an example of the kind of projects Dianna's company built.)

Cassondra: I’ve known you for a long time, but only recently came to understand the roles your mom, and her encouragement, played in your art career. We’re coming up on Mother’s Day, and we've got a lot of moms in the lair with us today. I think they'd love to hear a little about your childhood and your mom. I especially love the story about the tv station interview. Will you tell that one?

Dianna: *takes a sip of Shiraz* Yes. My mother was no wallflower, but she was a wife during an era when the man had the last say in a house. With five children, there was no doting on any one, but I remember my mom coming to first grade just to see something I’d drawn. I thought I was in big trouble *grin* – that was the only reason a parent was asked to come to the school back then -- but I’d used my newsprint sheet of paper--anyone remember drawing on newsprint?--(*cassondra raises hand*) to draw an involved series of the Billy Goat’s Gruff cartoon, and I guess my teacher was impressed, because she called my mom in to see it.

By the time I reached sixth grade, my mom had gone through years of having me draw at the kitchen table and on anything I could get my hands on, plus I’d won some art contests by then.


Cassondra: But in sixth grade something pivotal happened?

Dianna: Yes. We had two six-week sessions of art that year. I was in heaven. Free art materials and time to draw--but more about that later.

My art teacher entered a batik I created in a national contest, which I knew nothing about until they announced in home room that I’d placed 3rd…and that I was to be interviewed on television. They might as well have said I was expected to travel on the next moon flight.

Now back to that "time to draw" in class thing....My dad had grown up during hard times and expected us to only study in school—and that didn’t mean drawing or painting. Art was a waste of time and money to him, so when I told them about the television interview, he said no.

I had never heard my mom naysay him, but she said yes. She dressed me up and drove me to that interview. The first and second place winners were seniors who they also interviewed. Everyone was very nice, going over questions with me before they started rolling.
That was a memorable experience to be sure.

But more than anything it made me realize that my art did count because my mom said so. Never underestimate the power of believing in your child.

Cassondra: How did you use that belief and encouragement—how did you transfer it into something concrete as you moved through your teens and into your adult life?

Dianna: My mom would do anything for her children for the short time we had her (she had a heart attack and died when I was seventeen). She patiently listened to every story, helped with everyone’s homework and cut no one slack when it came to being a good person and the best you could be at anything.

Because of her encouragement and pride in what I’d created, I never considered giving up my art. But my father told me I couldn’t depend on it to make a living. I believed that as a teen, and took mechanical drawing in school to appease him. Being a strange right brain/left brain artist who loves math, I aced the class, but one thing it did was show me that I hated the idea of engineering or architecture.

I never walked around thinking I’d be the next Rembrandt painting portraits all day, but neither did I enjoy working in an office, so I gravitated to painting signs and murals. Living alone at seventeen is a two-sided blade of positive and negative. Every day was a struggle to survive back then, but the positive is that the only voice I heard was my own and that one told me to follow my heart.

I have always felt as though my mom is nearby watching over me and I still feel her spirit with me in everything I accomplish.

Cassondra: *swirls wine in glass* I want to talk for a minute about passing on the encouragement your mom gave you. I’ve seen you sit down with new writers and help them through tough spots in the writing--or in the business--more times than I can count. But your encouragement of others didn’t start when you started writing. Once you had your own sign business and your own shop, you helped other young artists get started and taught them how to do what you did. Your consistent willingness to teach others and share the work and success might seem counter-intuitive to some people. Will you talk about why doing that fits your basic philosophy of encouraging others?

Dianna: It goes back to my mom's influence. She would stop to help any child anywhere. I remember her saying that she hoped someone would help her children when they needed it if she wasn’t around to do it at some point. She was the original “pass it up the line” person who helped others because that’s who she was.

I’ve never thought about how often I do it, because helping others is just a natural part of my being. I never considered my competitors in business or art to be my opponents or enemies, and I feel the same way about writing.

My philosophy is that the better job we all do in whatever field we’re in, the more successful we all will be and when it's writing, that’s good for readers and the business. On top of all that, it makes me very happy to see others succeed, so I benefit too.

Cassondra: When you made the switch from painting to writing, did it feel as though you were giving up one dream to pursue another? Did you have any moments when you wondered if it was the right thing to do? If so, how did you make your decision?

Dianna: I loved painting, but I’d spent so many years away from home working, in everything from cold to suffocating heat, that my urge to write came at a good time for me. I’d been making up stories in my head, so when I reduced the amount of time I was climbing to paint and build, I started writing these stories down in between times I spent painting in my home studio.

But the writing really captured me. My husband kept telling me I couldn’t continue to paint huge walls and write books, because the schedule was killing me. I work every day, but my writing was demanding so much I couldn’t keep up the pace. So I finally made the decision to go full time into writing. It was a difficult decision because I’d spent my life building a business in art, but this is where I refer back to the question about helping others--back to what I learned from my mom.

I had so many friends in the sign business by that point that I was able to place all my clients in good hands and help my friends at the same time. My husband still oversees two large sign maintenance contracts we have, but I’m rarely involved in that now.

Cassondra: You've shared how art competitions played a role in your development as a young artist. When did you first get the idea of sponsoring a national art contest, and what’s your purpose in doing that? And why the focus on high schools in particular?

Dianna: I kept thinking I wanted to create an image of Feenix, our sweetheart gargoyle in the Belador series, and started sketching on it when it hit me that this would make a fun art contest.

I had the opportunity to enter art contests from 3rd grade on, and those played a part in building my confidence in a field everyone considered a waste of time. I can’t tell you how often you hear that you can’t make a living in that field – I proved them all wrong. *grin* I think confidence-building is especially important for young artists who might let naysayers talk them out of pursuing a dream.

When I came up with the My Feenix Art Contest, I wanted everyone to be invited whether they hand -drew pictures, created on the computer or made stuffed animals, so the contest has three categories-- Flat Art, 3-D and Digital-- for each of the two division--the High School Student division and the Adult division.

Cassondra: You’ve spoken before, here in the lair, about your dogged determination to remain true to whatever you’re passionate about. I’ve heard you say “A bad day painting was better than a good day doing anything else.” How does this art contest play into that, and how do you see it encouraging others to follow their passion?

Dianna: I do believe following your passion should be at the core of what you do if you want to be happy in life. I think just entering an art contest is a big step for many artists who are timid about submitting their art to a professional group.

The contest has no entry fee and all of the initial submissions are sent as jpgs. There’s a category for digital art, but even the hand-drawn and three-dimensional art is submitted as photos for the first round. We did this to make it as easy as possible for anyone to submit.

Sometimes just the act of doing one thing to move your craft forward is all it takes to get you thinking more seriously about your art--and that's true of writing too--of whatever your art is.

Cassondra: Our Bandit Buddies run the gamut from late teens to parents to grandmothers, and everything in between. What would you say to our visitors in the lair today about pursuing their dreams at any age, and how would you suggest they encourage others in their lives to do the same?

Dianna: That’s a great question, and I have a story about how important that is.

Years back, I attended a social event at the home of a female business associate. I commented on the beautiful still life and landscape paintings in her home by one particular artist whose name I couldn’t decipher.

Her mother, who had come to live with her that year, was from Puerto Rico and spoke no English, but the woman loved to watch Bob Ross’s Joy of Painting television shows where he gave art classes. Her mother was in her mid 80s when she picked up a paintbrush for the first time in her life and shocked everyone with her talent. It been a secret passion of hers forever, but she never had the opportunity to try. Now her family has these amazing paintings to remember her by.

A lot of people have those secret yearnings.

I think we have to stop once in a while and ask the people closest to us, “Is there anything you’ve ever wanted to do that you haven’t and you’d like to do now?” Or just listen—pay attention-- when we hear that new or different sound in their voice when they’re telling us about something that has caught their attention.

Have an open mind about listening. That’s all it takes sometimes to encourage someone to pursue a dream.

*Bandits and Buddies shift to make room as Sven and Paulo set trays of snacks on the tables and bar*

Cassondra: If someone is an artist—or KNOWS an artist—who might like to enter the My Feenix Art Contest, how do they get more info?

Dianna: You can go to www.myfeenix.com and find out everything you need to know. The instructions and entry forms are there on the site. Top prize in each adult category is $1000. Top prize for students is an iPad, plus money for school art departments and books for school libraries.

Help me spread the word--and pass on the encouragement. It's never too early--or too late--to go for your dream.

Cassondra: Feenix first appeared in BLOOD TRINITY, first book in the Belador series, which was released last October. The second book in the series, ALTERANT is scheduled for release September 27th. You can read an excerpt of BLOOD TRINITY, see the blurb for ALTERANT, and meet the Beladors at www.authordiannalove.com

What about you Bandits and Buddies?

It’s not always a mom who plays the role of encourager. Has anyone ever encouraged you at a low moment? What did they say?

Have you gone for something that scared you, and been encouraged in doing so by either watching someone else, or having someone tell you to go for it?

What have you gone for “against the odds,” or what are you going for right now?

Have you taken a moment to encourage someone else in the pursuit of an important dream or goal? Who was it? Your child? Brother or sister? Critique Partner? Friend?

Who has made a difference in your life with a touch, a card or phone call or a word when you most needed it?

Sven is passing another round of drinks, so eat, drink, and tell us how you've helped spread the encouragement, or been encouraged at just the right moment.

Oh...and tell us what drink Sven is mixing/pouring for you. *grin*

Dianna is giving away two signed copies of BLOOD TRINITY and one of the coveted Belador t-shirts!
Source URL: http://idontwanttobeanythingotherthanme.blogspot.com/search/label/dianna%20Love
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Double Author Booty - From Dianna and Lisa

We have winners from Dianna Love's blog of March 30 (yes, Cassondra is embarrassed to show her face in the Lair) and Lisa Shearin's blog of March 29 (and Nancy also is skulking).

Dianna's winners are:

One copy of Whispered Lies to Virginia--Whee!

One copy of Phantom in the Night to Pat Cochran--Whooo!

One copy of Whispered Lies to Denise --Wheeoo!

Grand prize of autographed copies of all three BAD Agency novels, an "I'm in a BAD Mood" t-shirt, and other goodies, all tucked inside a monogrammed "I'm in a BAD Mood" totebag, goe to Chey--whoot! whoot!

Email Cassondra via the thap gump link on the blog with your snail mail contact info. Chey, your t-shirt choices are large or extra-large, so specify which you want.

Lisa's winners, each receiving a Raine Benares prize package, including a copy of Bewitched & Betrayed with additional book goodies (postcards and bookmarks from all four of Lisa's books, plus a fridge magnet from Bewitched & Betrayed) – all signed and personalized are:

Cybercliper and Bookie--Yippee!

Email your contact info to lisa AT lisashearin DOT com.

Congratulations to all the winners, and thanks for stopping by.Source URL: http://idontwanttobeanythingotherthanme.blogspot.com/search/label/dianna%20Love
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Dianna Love's Romantic Thrillers

by Cassondra Murray

Dianna Love stops by the lair regularly to comment and say hello, but it’s been two years since she made an official visit. In that time she’s added New York Times Bestselling Author to her resume.


If you spend any time with Dianna, you can’t miss that she stretches every boundary to be her absolute best.

That determination and a whole bunch of talent earned her a coveted Rita award for her first published novel, Worth Every Risk. I was lucky enough to be there that night to see her receive that award. Scroll down a little and you can see Dianna with her Rita statue on the night she won her category.

Like any award-winning novelist, she pulls out all the stops to give readers a fast-paced, page-turning story, combined with powerful characters and unexpected story twists.

But she and Sherrilyn Kenyon are stretching the boundaries of the romantic suspense genre with the down and dirty agents of the BAD Agency—Bureau of American Defense—and their cutting edge stories. In fact, Dianna now refers to the books not as romantic suspense, but as romantic thrillers.


First of all, welcome back Dianna!



Thanks! It’s great to be here again.


I’d like to focus on that shift to what you call romantic thriller. What is that, how is it different from a romantic suspense, and how did you end up going this direction?



I came to writing romantic thrillers because of my love of romantic suspense and thrillers. But there was a time the term “thriller” wasn’t being used even in mainstream.


I think of romantic suspense as an action story where the central plot is a romance and the secondary plot is the suspense about something the hero and heroine are trying to recapture or protect, but the two plot lines are wrapped so tightly together one will not stand without the other.





In a romantic thriller the main plot is also a romance, but the secondary plot has several layers that encompass a larger scope of what is at risk – generally very high stakes and it could affect a larger group of people (a city, an international organization, a world threat, etc).

I'd have to agree that these books are bigger than the ordinary suspense. In fact, there's an edge-of-your-seat quality to these stories that I have not seen elsewhere in romance fiction.

You and Sherrilyn were good friends before you started writing together, right? Will you tell us how the collaboration happened?


Sherri and I met while on the road at conferences. It was the beginning of 2005 when my first book was out. I had a busy travel schedule. Sherri on the other hand was being asked to speak everywhere – and still is, especially with hitting #1 on the New York Times list nine times in just over a year.



Okay that's definitly worth a pause to give a very loud and rowdy WOOHOOO to Sherri for that amazing accomplishment.....ahem...now back to Dianna's story....


We’d both arrive at a conference a day early to spend a quiet day writing and would run into each other at lunch. By the third conference in three weeks, we were watching for each other.

Over the next few years we toured together when she had a hardback out, went to Germany for a reader convention, hid in the mountains at a cabin to write and became very close friends. We approach marketing with very similar views and we did a lot of brainstorming on how to promote books.


One night late – early, actually, since it was 2:00 am – we were just back to some hotel room from a signing and talking about books she had coming up. We hit on the BAD (Bureau of American Defense) agency series and started talking about her next one. I love to brainstorm so I started throwing out ideas and an hour later she said, “Why don’t we do this together?”


We decided to do it and had absolutely no plan other than we had two months to turn it in.



So the BAD agency was already created when you came on board, right? How did the writing partnership change the direction for this series and bring it into the realm of romantic thriller?


When I agreed to collaborate on the BAD Agency series, the first full novel was a fun romantic suspense. I suggested we kick it up to a romantic thriller, which Sherri and our editor went for.

The difference is that in the new books in this series there is a major threat to our national security and this threat could affect the entire world. The villains are the Fratelli de il Sovrano (Italian for Sovereign Brotherhood) with international resources and a new world plan that is unfolding as the series develops.

These are multi-layer plots woven tightly with the romance and they have threads that continue to finger into future stories.



Readers are obviously loving this direction for the series. But what is it that has drawn you to this shift? Is this something that’s happened as an organic part of your growth as a writer?


I think for me it has been both part of my growth and what I’m happiest doing. My nature is to complicate whatever I work on. When I was learning to sew in school I wasn’t happy to sew a simple pattern. I sewed a man’s sport coat. When I painted large murals for companies like Coca-Cola I was happiest when it was a complex piece of artwork with many different parts.


When it comes to writing I always want to create different dimensions within the story to give the characters a large playing field with multiple possibilities. One of my favorite movies is the Italian Job – a “who’s zooming who” story. I like the twists and turns of complex stories.

The BAD Agency series has a lot of those twists and turns. I’ve heard you say that you like puzzles, and your story worlds would absolutely qualify as puzzles in my view—and yet you manage to pull the twisted threads together and have it make perfect sense at the end. It’s a wild ride, but such a satisfying ending. How do you make that happen?

I’m a plotter and Sherri is a pantser (seat-of-the-pants writer). After we brainstorm the story, I start the first chapter because it’s normally a black ops type opening and I really like to write openings. Then I start working through the plot threads and seeing where they will go or how they would be stopped or if there’s another way to go from X to Y.

I do love puzzles and think that’s the base for my thinking in writing. I want to hide a surprise or set up a twist that is not going to turn out like the character expects and hopefully the reader will be surprised. I love to read a story that surprises me. Nothing makes me happier than watching a movie or reading a book and thinking, “Had no idea that was going to happen.”


As to how I manage to keep those threads straight and pulled together, I’ve taught the Break Into Fiction® program that Mary Buckham and I created so many times I have a short check list of what I need to keep an eye out for to stay on track. The problem that happens sometimes in suspense is not so much that the threads don’t tie up as it is that some just get dropped or the character’s motivation falls apart so the reader stops following the thread.


You’ve written three BAD agency novels and a novella with Sherrilyn. By now you’ve probably seen a pattern to the men and women who save the world in this series. Tell us a little about what it takes to be a BAD agent. And among those you’ve been a part of writing, who is your favorite hero, and why?

BAD agents are operatives the other alphabet agencies wouldn’t consider taking on, but those other agencies aren’t expected to send their people into no-win situations with orders to succeed or don’t come home.

Choosing one agent as a favorite would be like picking your favorite child when you have ten. I love different things about each one, but above all I love that the men are honorable no matter how dark their past, and the women have a core of steel beneath their flaws and fears.



Nathan Drake (PHANTOM IN THE NIGHT) had no reason to ever care for another person after what he lost, but he's a wounded soul who cares too deeply.



Carlos Delgado (WHISPERED LIES) may look sexy and whisper sweet nothings with a wicked accent, but he’s as deadly as they come and his loyalty knows no limits. When he was a teen in South America, he held the young woman he loved as she died in his arms then walked away from everything he’d ever known to protect others he cared for.


Hunter (SILENT TRUTH)appears to have it all. But looks are deceiving when you dig beneath the façade and find deep scars. He does everything to the extreme, including love, which means he won’t risk someone being close to his life as a BAD agent or around when he faces off with an assassin.


Speaking of SILENT TRUTH—it’ll be out in just a few weeks—April 23rd. Will you tell us more about Hunter and Abbie and their story?


Hunter Wesley Thornton-Payne…the third. Doesn’t that just sound like a roaring pain-in-the-butt type of guy who’s a legend in his own mind?


Sherri named him a long time ago. I kept watching him as we worked on the series and thought – who would sympathize with a man whose family is one of the wealthiest in the world, who is very attractive and brilliant and knows it, who does not bond with other teammates?




Remember the part about “I like complex puzzles?” We laid his soul bare in the opening chapter and didn’t let up on him until the last page. His depth of character surprised me once we pushed him into some unholy situations.



Abbie was the one woman for him. I love that she comes from a simple background, but one full of secrets that multiply at the worst times. She’s a fighter, loyal, and refuses to let anything stop her from trying to save someone she loves from dying.



Oh, and the central villain in SILENT TRUTH is part of the Fratelli organization, but he’s an unusual assassin who enjoys puzzles as much as I do.



Okay I'm gonna admit it. I've read SILENT TRUTH, and it's the most nail-biting, emotionally poignant story I've seen in years. Having the "OMG what happens next?" factor and that level of powerful romance in one read is unusual. And yes, I have to say that Hunter...well...he's a really, really hot guy.

You can read an excerpt of Hunter and Abbie’s story by clicking on this link: http//www.authordiannalove.com/books/silenttruth.html



Thanks so much, Dianna, for being our guest here in the Bandit lair!

Thanks for having me here, but you’re not getting away that easily. I’ve got some questions for the Bandits and Buddies. I’ll answer anything else you ask, but I want to know something.

What is it that you enjoy most about a romantic suspense series?



Do you return book after book for the characters alone or is it the setting, the team cohesion or the situations they get into?



Do you like exotic locations? Are there areas you’ve not seen in books that you’d like to read about?



What type of hero is your favorite?

How long have you been reading romantic suspense?



And THANK YOU for being a reader – you allow me and other authors to do what we love most.

Dianna is giving away an awesome prize package. Autographed copies of all three BAD Agency novels, an “I’m In A BAD Mood” t-shirt, and other goodies all tucked inside a monogrammed “I’m In A BAD Mood” tote bag.


Leave an answer to Dianna’s questions to be entered in the drawing. We’ll draw a name on Wednesday.Source URL: http://idontwanttobeanythingotherthanme.blogspot.com/search/label/dianna%20Love
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On the Road with the GR

by Donna MacMeans

Ah Spring - also known as conference season. The Golden Rooster and I took to the road to travel the opposite ends of Ohio in pursuit of writer and reader events. No plane this time, just an open window with the GR's red comb flapping in the wind.




Our first stop was the Cleveland Rocks conference., sponsored by the Northeast Ohio chapter of Romance Writers of America (NEORWA). Lori Wilde led an intimate discussion about developing high concept - undoubtably inspired by the rooster's high flirtacious antics. Everyone wanted to pose with the rooster!










Here's a few photos for the GR's scrapbook: posing with Harlequin and Warner author, Lori Wilde







...and Jamie Denton




We had a great time in Cleveland, but had to turn the SUV around to head down to Cincinnati for Lori Foster's & Dianne Castell's fabulous Reader Get-together. This was a much larger venue and the GR didn't hesitate to make the rounds.



The GR so engaged NYT's Bestseller Stella Cameron in conversation, she missed her photo shoot with the rest of the Tails of Love authors (below).






From left to right, back row - that's Marcia James, Sue-Ellen Welfonder, Patricia Sargeant, Kate Angell, Diane Castell. Front Row: Lori Foster, Me (in the hat), and Anne Christopher.


Even Michelle Buonfiglio from Romance: B(u)y the Book fell victim to the rooster's charms.







Of course, all reader's events feature lots and lots of raffle baskets. The get-together was no exception. The raffles baskets brought $6,616 to benefit One Way Farm Children's Home.






The thap gump contributed a basket that was won by Jodi Minton. That cream colored curve is really another rooster. The GR was capitivated.





All was not fun and games though. In the course of the event the rooster was KIDNAPPED! Horrors! The ransom note demanded I go to the bar if I ever wanted to see the GR alive again. Fortunately, I was already in the bar, so the nefarious plot was unraveled before it began (grin). As I discovered a Bad Agency button pinned to his feathers, I suspect bandita buddy Dianna Love was behind the scheme. But the rooster's not talking. The two may be in cahoots.



Thanks to the intervention of Sarah Parr (debut author of Renegade), we found a way to keep the GR in line. Sarah provided fuzzy red handcuffs! (Okay - so we won't ask WHY Sarah happened to have fuzzy red handcuffs.) That's Marjorie Liu looking on.


Now that the GR was back, he could participate in the Saturday night luau. Truly a party bird.








Thanks to Treethyme, the GR was reunited with a much younger brother. Here the GR takes the youngster under his wing.




The two went outside to discuss expectations in the lair. I'm thinking we might be seeing the little guy again.






Darn that bird flirts with anything with wings. At least he recognizes the lure of a good book.




So tell me, are any reader or writer events in your plans this year? Want to tell me about a good road trip? Any suggestions where the GR should venture next? Someone will win a copy of TAILS OF LOVE for some fun summer reading. Let's chat.


Source URL: http://idontwanttobeanythingotherthanme.blogspot.com/search/label/dianna%20Love
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