Today, I'm very happy to host talented author and good friend Colette Gale, who is making a name for herself in the erotic romance world by retelling classic tales with, shall we say, a bit of a spicier twist. And Colette is giving away not one, not two, but all three of her published novels. So today, we'll have three lucky winners -- so be sure to ask Colette questions, make observations, etc. Maybe even tell us what classic tale you'd like to see given an erotic twist.Q. Your third "Seducing the Classics" release, Bound by Honor, just came out last month. Tell us a bit about this erotic tale of Maid Marian, Robin Hood and the Sheriff of Nottingham.
A. I am a particular fan of love triangles, and I always thought it would be wonderfully fun to do the Marian/Robin/Nottingham love triangle in a "seduced" way. In fact, I've wanted to do this particular love triangle as an erotic novel for years, because I had a certain take on the story in mind, and was dying to try it out. It took me almost two years to convince my editor that Robin Hood wasn't just a kid's story (a la Disney's foxy Robin) and that this love triangle needed to be told.
But with the popularity of BBC America's Robin Hood series and the upcoming film with Russell Crowe as Nottingham, we finally agreed that the time was right. And in my book, you'll see a very strong-willed Marian, who is a woman bound by her honor to do what her liege orders her to do. She's smart and beautiful, and a very confident romantic heroine.
Robin of Locksley, aka Robin Hood, is a charming rakehell, who's very brave and a little egotistical. He's fully aware of his affect on women--the masked bandit who might sneak into the castle to steal a kiss before slipping off into the shadows. But he's also a little lost, looking for the right woman to love--even though he doesn't quite realize it. He's been displaced from his lands, and forced to become an outlaw as he tries to figure out a way to get them back.
William de Wendeval, the Sheriff of Nottinghamshire, is a dark, angry man who once upon a time was an honorable knight. But now he struggles between his desires and that bruised honor, between what he knows is right, and what his liege demands of him.
Nottingham is the right-hand man of Prince John, who is a lecher and repulsive in his own right. John holds his own "Court of Pleasure" most every evening, inviting and at times demanding that the women of the court participate. Between his own version of chess, and the night of the "living statues," John is clearly a most lascivious, depraved man.
However, despite the erotic scenes in my books--which do push the boundaries of a "historical romance" novel, because there are sex scenes with characters other than the hero and heroine, and because they are sometimes intimate with others--at the heart of each one is a true love story. A real romance.
In my mind, what makes these erotic versions different from sexy romance novels is that the relationship between the hero and heroine grows and develops and is shown mainly through the sex scenes. Each sex scene, believe it or not, has a purpose in the development of the relationship, and that's how we see the relationship grow.
Q. I'm curious how the idea of retelling classic stories with an erotic twist came to you. Was it a deliberate effort or did the idea just come to you?
A. My first "seduced classic," UNMASQUED: An Erotic Novel of the Phantom of the Opera, was something I just started to write for myself. I am a fan of erotic novels, and I was always fascinated by Andrew Lloyd Webber's take on the original story. He romanticized and, dare I say, eroticized, the original in such a way that I was furious when Christine didn't stay with the Phantom at the end of the play/movie.So I decided I wanted to not only know what happened down in his lair during those days she was there, but that I also wanted her to stay with the Phantom. So I wrote my version of the story, which was my first shot at writing an erotic novel. My agent loved it (although she confessed that it made her blush to read it), and we sold it to NAL. After that came a whole discussion about what classic I should do next. I wanted to do Robin Hood/Marian/Nottingham, but as I mentioned above, my editor wasn't as keen on the idea.
But when she suggested that I do a version of The Count of Monte Cristo, I jumped at the chance. It was a perfect book to write a "dirty" version of--the behind the scenes, what really happened when the doors were closed aspect.
In fact, unlike my version of The Phantom of the Opera, I followed the story line of Dumas's original classic very closely. I wrote much of the book from Mercedes's point of view, but there are actually three love stories in Master: An Erotic Novel of the Count of Monte Cristo, and I must say that I'm very proud of that book. Each relationship is very different, and again, as I mentioned above, each sex scene in that book further develops not only the hero and heroine's relationship, but also character.
The main story, that of Mercedes and the Count of Monte Cristo, is built around his desire for revenge on her for the wrong she's done to him. There's another subplot with a female slave who is the agressor in a relationship with another male slave. And the third is a very sweet love story in which the hero and heroine have a fence between them at all times.
Such fun I had with those three plots! I really loved that book. Throw in the fact that in the original Dumas there were not only orgies and hashish, but danger and a fascinating plot, and voila! The perfect idea for a "behind the scenes" look at the story.
Q. The covers for your books have been beautiful. I'm particularly partial to Bound By Honor. I love the colors. Do you have input into the covers, or are you totally surprised each time you see them?
I can take no credit for anything regarding the covers. The conception was all from the designers at NAL, and they're absolutely perfect. I just love them.
Q. Who are some of your favorite erotic romance authors?
A. I have always loved Anne Rice's Sleeping Beauty series; in fact, after The Story of O, that was my first foray into erotica. I also love Bertrice Small's Skye O'Malley series--and I think she did wonders (Ms. Small, I mean) for helping to push the boundaries of romance into erotica, way back in the '70s/early '80s.
Q. What are you working on now? What tales do you hope to give an erotic twist in the future?
Part of the reason I'm waffling is because in each of my books, I generally write twenty chapters or so. And my goal is, because it's an "erotic novel," that there is at least one sex scene per chapter--i.e., someone's going to get off. Somehow, some way. ;-)
So that's a lot of sex scenes (60 in my eroticas alone), and, quite frankly, a lot of ways to have to describe an org*sm. Yannow? I want to keep the scenes fresh and erotic and titillating for both me and the reader, and I don't want the quality to suffer because I'm doing too many or rushing them. That's why I can only do no more than one erotic novel per year, at the most.
However, many of you know that I also write under my other name, which is a not-very-well-kept secret. I recently released the last in my Gardella Vampire Chronicles series, and I have a brand new series coming out in early 2010 that doesn't have vampires in it (it has zombies) and it isn't set in the past (it's set in the future). So I've been busy working on the first three books in that series, and hopefully Trish and the Banditas will have more information about that when the time is closer. ;-)
Q. Anything you'd like to ask our lovely blog visitors today?
A. Simple: Robin Hood or Nottingham? And why?
Don't forget to comment today for your chance to win one of Colette's steamy reads.
Source URL: http://idontwanttobeanythingotherthanme.blogspot.com/2009/06/colette-gale-is-seducing-classics.htmlDon't forget to comment today for your chance to win one of Colette's steamy reads.
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